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Gallery

Christopher Lee and Peter Cushing in The Mummy (1959)
Christopher Lee and Peter Cushing in The Mummy (1959) by Terence FisherWe Still Bow to the Old Gods — Jean-Luc Jacques
Four frames from Enthusiasm (1930)
Decoupage from Enthusiasm (1930) by Dziga VertovWe Still Bow to the Old Gods — Jean-Luc Jacques
Wide shot from The Leopard (1963)
Wide shot from The Leopard (1963) by Luchino ViscontiWe Still Bow to the Old Gods — Jean-Luc Jacques
The Pan Pan at the Monico, painting by Gino Severini
The Pan Pan at the Monico (1959) by Gino SeveriniWe Still Bow to the Old Gods — Jean-Luc Jacques
Lillian Gish in Broken Blossoms
Lillian Gish in D.W. Griffith’s Broken BlossomsWe Still Bow to the Old Gods — Jean-Luc Jacques
Still from Milady and the Musketeers (1952)
Milady and the Musketeers (1952)We Still Bow to the Old Gods — Jean-Luc Jacques
Still from Milady and the Musketeers (1952)
Milady and the Musketeers (1952)We Still Bow to the Old Gods — Jean-Luc Jacques
Still from Sogobi (2002)
Sogobi (2002)We Still Bow to the Old Gods — Jean-Luc Jacques
Still from The Annunciation of Marie (1991)
The Annunciation of Marie (1991)We Still Bow to the Old Gods — Jean-Luc Jacques
Still from Hotel Monterey (1970)
Hotel Monterey (1970)We Still Bow to the Old Gods — Jean-Luc Jacques
Still from The Passion of Joan of Arc (1928)
The Passion of Joan of Arc (1928)We Still Bow to the Old Gods — Jean-Luc Jacques
Still from Citizen Kane
Citizen KaneWe Still Bow to the Old Gods — Jean-Luc Jacques
Still from One From the Heart (1982)
One From the Heart (1982)We Still Bow to the Old Gods — Jean-Luc Jacques
Still from The Green Room (1978)
The Green Room (1978)We Still Bow to the Old Gods — Jean-Luc Jacques
Still from The Green Room (1978)
The Green Room (1978)We Still Bow to the Old Gods — Jean-Luc Jacques
Still from The Green Room (1978)
The Green Room (1978)We Still Bow to the Old Gods — Jean-Luc Jacques
Still from The Green Room (1978)
The Green Room (1978)We Still Bow to the Old Gods — Jean-Luc Jacques
Beginning of the climax of Close Encounters of the Third Kind (1978)
Beginning of the climax of Close Encounters of the Third Kind (1978) by Steven SpielbergWe Still Bow to the Old Gods — Jean-Luc Jacques
Three stills of eyes from L’oeil sauvage
Stills from L’oeil sauvage (1998) by Johanna VaudeAnima of Animals — Aron Mishktar
Chronophotograph of a galloping horse and rider
Cavalier Arabe (1887) by Étienne-Jules MareyAnima of Animals — Aron Mishktar
Lon Chaney in Son of Dracula
Lon Chaney in Son of Dracula (1943) by Robert SiodmakAnima of Animals — Aron Mishktar
Frankenstein superimposed over King Kong
Superimposition of Frankenstein (1931) over King Kong (1933)Anima of Animals — Aron Mishktar
Keys, in a hat, looking at the dog
Keys, in a hat, looking at the dogAnima of Animals — Aron Mishktar
The white dog, muzzled
The white dog, muzzledAnima of Animals — Aron Mishktar
Still from Au Hasard Balthazar
Au Hasard BalthazarAnima of Animals — Aron Mishktar
Still from Day of Wrath
Day of WrathAnima of Animals — Aron Mishktar
Still from Bim, the Little Donkey
Bim, the Little DonkeyAnima of Animals — Aron Mishktar
Still from Schastye
SchastyeAnima of Animals — Aron Mishktar
Stills from Stromboli and Respite side by side
Stromboli (1950) by Roberto Rossellini — Respite (2007) by Harun FarockiAnima of Animals — Aron Mishktar
Two silhouettes before the painted wall of Lascaux
Lascaux the Prehistory of Art (1995) by Alain JaubertAnima of Animals — Aron Mishktar